Olga Micińska

is a visual artist who crosses the boundaries between art and craft, examining how and what our world is made of and when things become useful and necessary.

Olga’s presentation at the Congress is a series of posters, an “advertising campaign” whose protagonists confront the industrial landscape. The posters, appearing in various parts of Sokołowsko (before, during, and after the Congress), with an open pit mine looming in the distance, are a record of a sad love story.